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Freak Pulse

Dean Devlin confirms his and Roland Emmerich’s executive producer credit on Amazon’s new Stargate series is a legal formality, not a creative homecoming. The arrangement stems from a U.S.

Science Fiction this week: A Canadian auction house has begun selling off set pieces and props from the dismantled ‘Starfleet Academy’; and A TrekMovie podcast episode featuring actors Jonathan Frakes, Armin Shimerman, and Kitty Swink…

Industry insights and VFX artist spotlights this week: Senior animation directors from DNEG and Framestore detail the practical constraints and creative compromises in; and A retrospective on three landmark VFX achievements—Terminator 2’s…

New software and tools for 3D and VFX artists this week: Maxon has released Cinema 4D 2026.

Behind-the-scenes VFX breakdowns for films and shows this week: The second season of Netflix’s ‘One Piece’ expands the visual effects scope with 3,800 shots, up from 2,300 in; and The Third Floor has released a previs and postvis reel for…

Media Production this week: Cinematographer James Laxton selected the ARRI 265, a 65mm large-format digital camera, for ‘Beef’ Season 2, marking; and Frame.

Opera Gallery has opened a new location in Houston, Texas, marking a step in its global expansion.

California Tax Credits & Film Projects this week: The California Film Commission has expanded its tax credit program to include animated feature films for the first; and California’s expanded production incentive program has allocated…

WGA Contract Ratification this week: The WGA membership has ratified a new four-year Minimum Basic Agreement with the AMPTP, with over 90% approval; and The Writers Guild of America has ratified a new four-year Minimum Basic Agreement…