Behind-the-Scenes VFX Breakdowns
RISE: Fallout Destroys LA, Politely (Digitalproduction)
Summary: RISE VFX delivered 244 shots for Fallout Season 2, facing a significant scale increase over Season 1 with the same core team size. The challenge centered on procedural destruction of Los Angeles, complex mechanical interactions like Vertibird docking, and multi-layered sand reveals at Area 51. The studio managed this by operating its Berlin and Stuttgart offices as a unified crew, leveraging USD workflows and Houdini procedural tools, and deploying cross-functional ‘strike teams’ dedicated to specific sequences.
Why it matters: The operational playbook demonstrates how high-end episodic VFX can maintain quality and throughput under extreme scaling pressure without proportional headcount growth, directly affecting vendor economics and project bidding.
Context: This follows an industry-wide push for proceduralism and USD adoption to handle increasing shot complexity and volume, particularly for franchise television with cinematic expectations.
"We had a huge jump in scale, like procedurally destroying the entirety of Los Angeles or dealing with the multi-layered sand reveals of Area 51, but we were operating with roughly the same core team size. Brute forcing was not an option." — DIGITALPRODUCTION
Commentary: RISE’s approach validates a shift from brute-force artist scaling to tool-driven efficiency, raising the quality ceiling for episodic work but also increasing competitive pressure on vendors without comparable pipeline automation. The emphasis on ‘strike teams’ over departmental silos suggests a move towards more integrated, sequence-owned labor models, which could alter staffing contracts and on-set data handoff protocols.
Date: Thu, 07 May 2026 08:55:06 +0000
URL: https://digitalproduction.com/2026/05/07/rise-fallout-destroys-la-politely/
AI Sentiment Score: Negative (66%)
AI Credibility Score: 10.0/10 — High
Scores and text generated by AI analysis of the source article indicated.Fun behind the scenes for how they shot the Air Force One scene in ‘Pluribus’ (Beforesandafters)
Summary: VFX Breakdowns Fun behind the scenes for how they shot the Air Force One scene in ‘Pluribus’ May 4, 2026 by Ian Failes A new featurette from Apple. Tags: Pluribus Latest Posts May 9, 2026 ‘The Mandalorian and Grogu’, ‘Project Hail Mary’ to be featured in SIGGRAPH 2026 Production Sessions May 7, 2026 Folks breaks down its VFX for ‘Marty Supreme’ May 5, 2026 In-depth on the all the key explosive visual effects in Netflix’s ‘Man on Fire’ Leave a ReplyCancel reply Reallusion Redefines Digital Double Creation with the Launch of Headshot 3 for Character Creator 5 The Power of Hybrid AI: Reallusion Announces 2026 Vision The Making of 3D Gorilla Animations: Capturing the Beast in Motion War Machine Get issue #54 Order my new book Industrial Light & Magic: 50 Years of Innovation Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands. From classroom to credits, with Campus VFX MOST READVES On-Set VFX Data Collection and Usage Guide released’The Mandalorian and Grogu’, ‘Project Hail Mary’ to be featured in SIGGRAPH 2026 Production SessionsIn-depth on the visual effects of ‘F1’In-depth on the all the key explosive visual effects in Netflix’s ‘Man on Fire’The visual effects in ‘The Bride!’ that you may not have noticed May 9, 2026 ‘The Mandalorian and Grogu’, ‘Project Hail Mary’ to be featured in SIGGRAPH 2026 Production Sessions
Why it matters: This matters for Visual Effects and CGI because it gives a concrete current signal to track: VFX Breakdowns Fun behind the scenes for how they shot the Air Force One scene in ‘Pluribus’ May 4, 2026 by Ian Failes A new featurette from Apple.
Context: VFX Breakdowns Fun behind the scenes for how they shot the Air Force One scene in ‘Pluribus’ May 4, 2026 by Ian Failes A new featurette from Apple. Tags: Pluribus Latest Posts May 9, 2026 ‘The Mandalorian and Grogu’, ‘Project Hail Mary’ to be featured in SIGGRAPH 2026 Production Sessions May 7, 2026 Folks breaks down its VFX for ‘Marty Supreme’ May 5, 2026 In-depth on the all the key explosive visual effects in Netflix’s ‘Man on Fire’ Leave a ReplyCancel reply Reallusion Redefines Digital Double Creation with the Launch of Headshot 3 for Character Creator 5 The Power of Hybrid AI: Reallusion Announces 2026 Vision The Making of 3D Gorilla Animations: Capturing the Beast in Motion War Machine Get issue #54 Order my new book Industrial Light & Magic: 50 Years of Innovation Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands. From classroom to credits, with Campus VFX MOST READVES On-Set VFX Data Collection and Usage Guide released’The Mandalorian and Grogu’, ‘Project Hail Mary’ to be featured in SIGGRAPH 2026 Production SessionsIn-depth on the visual effects of ‘F1’In-depth on the all the key explosive visual effects in Netflix’s ‘Man on Fire’The visual effects in ‘The Bride!’ that you may not have noticed May 9, 2026 ‘The Mandalorian and Grogu’, ‘Project Hail Mary’ to be featured in SIGGRAPH 2026 Production Sessions
"VFX Breakdowns Fun behind the scenes for how they shot the Air Force One scene in ‘Pluribus’ May 4, 2026 by Ian Failes A new featurette from Apple. Tags: Pluribus Latest Posts." — BEFORESANDAFTERS
Commentary: The immediate implication is operational rather than speculative: watch how this changes budgets, workflows, or risk assumptions over the next cycle.
Date: Mon, 04 May 2026 06:27:15 +0000
URL: https://beforesandafters.com/2026/05/04/fun-behind-the-scenes-for-how-they-shot-the-air-force-one-scene-in-pluribus/
AI Sentiment Score: Negative (77%)
AI Credibility Score: 10.0/10 — High
Scores and text generated by AI analysis of the source article indicated.The visual effects in ‘The Bride!’ that you may not have noticed (Beforesandafters)
Summary: Environment builds, plus how that falling down the stairs shot was achieved, and how the re-animation of the Bride was done. Maggie Gyllenhaal’s The Bride! is one of those films that features a wealth of seamless visual effects shots.
Why it matters: This matters for Visual Effects and CGI because it gives a concrete current signal to track: Environment builds, plus how that falling down the stairs shot was achieved, and how the re-animation of the Bride was done.
Context: Environment builds, plus how that falling down the stairs shot was achieved, and how the re-animation of the Bride was done. Maggie Gyllenhaal’s The Bride! is one of those films that features a wealth of seamless visual effects shots.
"Environment builds, plus how that falling down the stairs shot was achieved, and how the re-animation of the Bride was done. Maggie Gyllenhaal’s The Bride! is one of those films that features." — BEFORESANDAFTERS
Commentary: The immediate implication is operational rather than speculative: watch how this changes budgets, workflows, or risk assumptions over the next cycle.
Date: Mon, 04 May 2026 05:05:17 +0000
URL: https://beforesandafters.com/2026/05/04/the-visual-effects-in-the-bride-that-you-may-not-have-noticed/
AI Sentiment Score: Negative (66%)
AI Credibility Score: 10.0/10 — High
Scores and text generated by AI analysis of the source article indicated.In-depth on the all the key explosive visual effects in Netflix’s ‘Man on Fire’ (Beforesandafters)
Summary: Listen to the brand new podcast on the series. Today on the befores & afters podcast, we’re talking about the new Netflix series, Man on Fire, with visual effects supervisor Kevin Lingenfelser. Now, if you haven’t watched the show, we’ve got a few spoilers coming, so I definitely recommend you check it out first.
Why it matters: This matters for Visual Effects and CGI because it gives a concrete current signal to track: Listen to the brand new podcast on the series.
Context: Listen to the brand new podcast on the series. Today on the befores & afters podcast, we’re talking about the new Netflix series, Man on Fire, with visual effects supervisor Kevin Lingenfelser. Now, if you haven’t watched the show, we’ve got a few spoilers coming, so I definitely recommend you check it out first.
"Listen to the brand new podcast on the series. Today on the befores & afters podcast, we’re talking about the new Netflix series, Man on Fire, with visual effects supervisor Kevin Lingenfelser." — BEFORESANDAFTERS
Commentary: The immediate implication is operational rather than speculative: watch how this changes budgets, workflows, or risk assumptions over the next cycle.
Date: Mon, 04 May 2026 21:53:36 +0000
URL: https://beforesandafters.com/2026/05/05/in-depth-on-the-all-the-key-explosive-visual-effects-in-netflixs-man-on-fire/
AI Sentiment Score: Neutral (50%)
AI Credibility Score: 10.0/10 — High
Scores and text generated by AI analysis of the source article indicated.Folks breaks down its VFX for ‘Marty Supreme’ (Beforesandafters)
Summary: War Machine Get issue #54 Order my new book Industrial Light & Magic: 50 Years of Innovation Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands. From classroom to credits, with Campus VFX
Why it matters: This matters for Visual Effects and CGI because it gives a concrete current signal to track: War Machine Get issue #54 Order my new book Industrial Light & Magic: 50 Years of Innovation Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
Context: War Machine Get issue #54 Order my new book Industrial Light & Magic: 50 Years of Innovation Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands. From classroom to credits, with Campus VFX
"War Machine Get issue #54 Order my new book Industrial Light & Magic: 50 Years of Innovation Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands. From classroom to credits,." — BEFORESANDAFTERS
Commentary: The immediate implication is operational rather than speculative: watch how this changes budgets, workflows, or risk assumptions over the next cycle.
Date: Thu, 07 May 2026 04:58:34 +0000
URL: https://beforesandafters.com/2026/05/07/folks-breaks-down-its-vfx-for-marty-supreme/
AI Sentiment Score: Negative (57%)
AI Credibility Score: 10.0/10 — High
Scores and text generated by AI analysis of the source article indicated.Post ID: 9472bd01