tracking the news, one byte at a time

SF July 20, 2026: Ridley Scott’s Cancelled 2-Part Sci-Fi, Star Wars George Lucas Screenrant, Charlton Heston’s Soylent Green gets, and more

1,290 words

|

5–8 minutes

Science Fiction

Ridley Scott’s Cancelled 2-Part Sci-Fi Series Gets Its Biggest Update in Years (Collider)

Summary: Ridley Scott’s dystopian sci-fi series Raised by Wolves, canceled after two seasons in 2022, has received its most substantive update in years. Producer David W. Zucker revealed at the 2026 Italian Global Series that the show was ready for a third season when Warner Bros. Discovery CEO David Zaslav’s cost-cutting regime shelved it. Zucker expressed hope for a revival, noting that other Scott Free projects like Alien: Earth and Blade Runner 2099 seemed equally improbable before they materialized. The series remains available on HBO Max.

Ridley Scott's Cancelled 2-Part Sci-Fi Series Gets Its Biggest Update in Years
Image via Collider

Why it matters: For science fiction enthusiasts, this is a rare case study in how corporate consolidation and streaming-era austerity directly kill ambitious, high-concept genre storytelling that had critical momentum and a completed creative plan.

Context: Raised by Wolves was a rare original sci-fi IP on HBO, earning 81% and 82% critic and audience scores on Rotten Tomatoes, but fell victim to Zaslav’s post-merger content write-downs that also shelved Batgirl and other nearly-finished projects.

"Adam Blevins began working in the entertainment industry in 2022 as a Staff Writer for Agents of Fandom, where he progressed to Senior Editor and interviewed talent from Marvel Studios, House of." — COLLIDER

Commentary: Zucker’s framing is telling: he treats Alien: Earth and Blade Runner 2099 as comparably improbable greenlights, suggesting that Raised by Wolves’ cancellation was not a creative failure but a portfolio decision by a CEO prioritizing franchise IP over original worldbuilding. The show’s survival on HBO Max means a revival remains technically possible, but the window narrows as cast availability and cultural memory fade. This is a concrete example of how streaming’s shift toward proven brands suppresses the kind of speculative fiction that builds new audiences rather than servicing existing ones.

Date: July 14, 2026 04:38 PM ET
URL: https://collider.com/ridley-scott-sci-fi-series-raised-by-wolves-season-3-cancellation-explained-david-w-zucker
AI Sentiment Score: Positive (50%)
AI Credibility Score: 10.0/10 — High
Scores and text generated by AI analysis of the source article indicated.

It’s Officially The End Of An Era For Star Wars & George Lucas (Screenrant)

Summary: Disney and Lucasfilm will release the original 1977 theatrical cut of Star Wars in a wide, limited-time theatrical run in February 2027, marking the first time the unaltered version has been officially available since the 1997 Special Edition became the default. The move reverses George Lucas’s long-standing refusal to distribute the original cut, which he called ‘half a completed film.’ It comes as the franchise struggles theatrically after The Mandalorian and Grogu underperformed, suggesting a strategic pivot toward nostalgia to rebuild audience goodwill.

It's Officially The End Of An Era For Star Wars & George Lucas
Image via Screenrant

Why it matters: This signals a potential shift in Lucasfilm’s strategy from defending Lucas’s revised canon to embracing the original artifact as a cultural event, which could reshape how the franchise balances legacy and innovation.

Context: Lucas repeatedly revised the original trilogy after 1977, most famously altering Han Solo’s confrontation with Greedo and adding CGI elements in the 1997 Special Edition, which remains the only version on Disney+ and home video.

"The final result of Lucas’ edits was the 1997 Star Wars special edition, the most prevalent version of the movie for the past 29 years. It’s the sole edition that can be streamed on Disney+ and the only one currently being sold on DVD and Blu-ray." — SCREENRANT

Commentary: The decision to release the 1977 cut is a tacit admission that the Special Edition era has run its course as a commercial and cultural anchor. By treating the original as a limited theatrical event rather than a permanent addition to streaming, Disney hedges against diluting the Special Edition’s value while testing whether raw nostalgia can reverse the franchise’s box office decline. The risk is that this becomes a one-off gimmick rather than a genuine reclamation of the film’s historical identity.

Date: July 17, 2026 04:30 PM ET
URL: https://screenrant.com/star-wars-theatrical-cut-end-of-an-era-special-editions
AI Sentiment Score: Negative (50%)
AI Credibility Score: 10.0/10 — High
Scores and text generated by AI analysis of the source article indicated.

Charlton Heston’s ‘Soylent Green’ gets a grim and gorgeous 4K restoration (Washingtontimes)

Summary: Arrow Video releases a 4K restoration of Richard Fleischer’s 1973 dystopian thriller ‘Soylent Green,’ remastered from a 16-bit scan of the original 35mm negative. The restoration corrects previous home video issues with the film’s sickly green and yellow filters, now rendering the polluted outdoor scenes with chokingly realistic detail. The limited edition includes vintage and new audio commentaries, a 1985 Heston interview from the British Film Institute, and a 32-page booklet. The film’s cautionary tale of corporate greed and environmental collapse remains culturally resonant.

Charlton Heston’s ‘Soylent Green’ gets a grim and gorgeous 4K restoration
Image via Washingtontimes

Why it matters: This restoration arrives at a moment when the film’s 1973 warnings about climate-driven scarcity and corporate control of food supply feel less like speculative fiction and more like a premonition, making its visual and thematic clarity newly urgent for audiences and scholars alike.

Context: The film, based on Harry Harrison’s 1966 novel ‘Make Room! Make Room!,’ was one of the first major studio productions to dramatize overpopulation and environmental degradation as a single systemic crisis, and its infamous final line has become a shorthand for dystopian conspiracy.

"Director Richard Fleischer’s 1973 dystopian crime thriller, loosely based on Harry Harrison’s 1966 novel “Make Room! Make Room!,” gets a much-needed 4K restoration in Soylent Green: Limited Edition (Arrow Video, rated PG,." — WASHINGTONTIMES

Commentary: The restoration’s success in making the smog look ‘chokingly realistic’ rather than stylized is a subtle but significant shift: it transforms the film from a period artifact into a near-documentary of our possible future. The inclusion of Heston’s 1985 BFI interview, where he called this ‘sociologically, the most important film he has ever made,’ underscores how the industry itself understood the film’s predictive weight. For collectors and scholars, this edition finally gives the visual texture the respect the narrative always demanded.

Date: July 17, 2026 06:39 PM ET
URL: https://washingtontimes.com/news/2026/jul/17/charlton-hestons-soylent-green-gets-grim-gorgeous-4k-restoration
AI Sentiment Score: Negative (66%)
AI Credibility Score: 10.0/10 — High
Scores and text generated by AI analysis of the source article indicated.

The Mandalorian and Grogu is finally coming home after a bad box office run (Polygon)

Summary: The Mandalorian and Grogu, the first Star Wars theatrical release in six years, is coming to digital and physical home video after a disappointing box office run. The film, a continuation of the Disney+ series, will be available digitally on July 21 and on 4K UHD and Blu-ray on August 25, with a Beskar Collector’s Edition and standard releases. Despite being a top-10 grossing film of 2026, audience turnout was weak, and critical reception was mixed, with Polygon’s review calling it a ‘desperate attempt to cultivate a new generation’ rather than a proper Star Wars movie.

The Mandalorian and Grogu is finally coming home after a bad box office run
Image via Polygon

Why it matters: This signals a potential shift in Star Wars’ theatrical viability, suggesting that even a beloved streaming character like Grogu can’t suggest box office success, which may force Lucasfilm to rethink its strategy for future franchise entries.

Context: The film’s release ended a six-year gap since The Rise of Skywalker (2019), and its underperformance comes amid broader industry concerns about franchise fatigue and the challenge of converting streaming audiences into theatrical ones.

"Star Wars returned to movie theaters in May after a six-year drought with Star Wars: The Mandalorian and Grogu, a big-screen continuation of the beloved three-season Disney Plus series. And while The." — POLYGON

Commentary: The home release’s special features—focusing on puppetry, miniatures, and practical effects—suggest Lucasfilm is leaning into craft as a selling point, perhaps acknowledging that the film’s narrative failed to resonate. The ‘Dejarik for Real’ feature, highlighting a holochess game from 1977, underscores a reliance on nostalgia that may be wearing thin. For a franchise that once defined blockbuster cinema, this feels less like a victory lap and more like a retreat to the small screen where the Mandalorian brand was born.

Date: July 14, 2026 12:37 PM ET
URL: https://www.polygon.com/star-wars-mandalorian-and-grogu-digital-release-date-4k-blu-ray/
AI Sentiment Score: Positive (50%)
AI Credibility Score: 10.0/10 — High
Scores and text generated by AI analysis of the source article indicated.

Post ID: 0fbe8694