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Freak Pulse

Film and TV Development this week: King of the Hill showrunner Saladin Patterson confirms that writing for Season 16 is complete, with the revival; and A new state budget provision, SB 122, caps corporate tax credits at $5 million or 70%…

Audience Behavior & Distribution Shifts this week: All3Media International’s CEO Louise Pedersen is departing following the completion of the Banijay merger, with; and Comcast-owned Sky has agreed a £1.

Sam Smith and Normani have moved to dismiss a copyright lawsuit over their 2019 hit ‘Dancing With a Stranger,’ arguing that the plaintiff’s song itself contains unlicensed samples, making its copyright claim invalid.

Streaming & Cinema this week: 50 Cent’s long-running public feud with Sean ‘Diddy’ Combs has culminated in a major professional achievement: the; and The 2026 Emmy nominations reveal a dramatic shift in drama series dominance, with…

Science Fiction this week: Evil Dead Burn, the latest entry in the franchise, leans heavily into the grim, gore-heavy style of the 2013 remake; and Apple TV’s ‘Star City,’ a spin-off of ‘For All Mankind,’ introduces Sasha Polivanov as a…

Visual Effects and CGI this week: Krokodove, a procedural node set for Fusion and DaVinci Resolve developed over 20 years by Raf Schoenmaekers, has; and Roji Research has opened beta registration for a render-oriented joint interface that…

Media Production this week: The Amazon series *Spider-Noir* is being shot with dual LUTs—one monochrome, one color—applied to a single RAW; and Boris FX has acquired iZotope, adding RX, Ozone, and the full audio plugin suite to its VFX…

Interactive Art this week: SIGGRAPH 2026’s Experience Hall, running 19–23 July at the Los Angeles Convention Center, consolidates five; and Refik Anadol’s Dataland, the self-described first ‘museum of AI arts,’ opened in downtown Los…

At Karlovy Vary’s 60th edition, a Variety-hosted panel with EFP, Allwyn, and UTA examined the Future Frames program’s role in launching European directors into the U.S. market.

Photography & Cinematography this week: Christopher Nolan’s ‘The Odyssey,’ opening July 17, is the first feature shot entirely on IMAX film, a feat achieved; and Riedel’s acquisition of ARRI signals a structural shift in which cameras are…